Beth Cavener
Jason Jacques Gallery presents The Other, its inaugural exhibition of work by Beth Cavener, one of the leading ceramic artists of our time. The opening reception with the artist is 6 to 9 p.m. on Wednesday, November 15. The show runs through December 5.
Cavener, previously represented by Garth Clark – the highly influential curator, scholar and gallerist – has been working for several years on this highly anticipated exhibition, which crystallizes themes that she has been exploring throughout her career. The Other includes a selection of Cavener’s signature stoneware sculptures of ominous animals. The artist relies on animal body language as a metaphor for underlying patterns of human behavior.
“I fell in love with Beth’s work from the moment I laid eyes on one of her rabbits. It was such an honor when we were asked to represent her, a dream come true,” says Jason Jacques, principal of his eponymous gallery. “Beth is a rock star in the ceramics world—and for good reason. Every gesture looks as if it were painted, yet it is made of clay, shaped by the most sensitive of hands.”
Explains Cavener: “The sculptures I create focus on human psychology, stripped of context and rationalization, and articulated through animal and human forms. On the surface, these figures are simply feral and domestic individuals suspended in a moment of tension. Beneath the surface, however, they embody the consequences of human fear, apathy, aggression, and misunderstanding.”
Cavener’s working process starts with the production of a clay base using metal armatures. She then breaks the base into sections, allowing her to work separately on each portion. She then reassembles the pieces before firing. Once fired, paint is thoughtfully added to the ceramic body.
“Beth draws in clay with amazing clarity and detail in order to convey uncanny realism in her animal subjects,” says Jason T. Busch, director of Jason Jacques Gallery. “Indeed, a range of emotions, from sensitivity to hostility, is revealed as these beings are captured as portraits in front of the viewer.”
